No, seriously, it’s not a trick question. What do you do with your pictures? A brief sotry about putting some shelves up on the wall, but as that wouldn’t really fit into a photo blog, it has been turned it into a blog post about the rotating photo exhibition at my Gallery Staircase. Does that not sound posh?
During my first evening tour in The London Eye, I got a series of “nice but no cigar” pictures of London’s skyline seen from above. This post analyses exposure and records a number of lessons learnt for a future re-visit to this magnificient view of the City.
After the court injunction preventing publication of pictures from the riot-causing car-free Sunday in Essex has finally been lifted, I hurry to bring you pictures of the the busiest road in the country, void of traffic. And of the armed forces ensuring that only emergency vehicles were allowed on the roads.
I went to Southend-on-Sea to take some long-exposure shots of the sea. It wasn’t all plain sailing, but 8 seagulls helped me to get a picture that communicates “continuous water” as intended (sounds weird? I know….)
A sunset picture of The Houses of Parliament with the London Eye to help frame the picture, and a few words about finding the timing of the “magic” moment when floodlit buildings balance nicely against the night sky. As a bonus, there’s also a night-shot of The City.
From a vague idea of a sunset picture, to a silhouette of The London Eye in front of a bold, dramatic sunset with colours only Hollywood or Kodachrome could have imagined. The main point of the post is the thought processes that went into this mixture between photo and graphic art.
A simple recipe for how to make out-of-focus highlights have any shape you want, using nothing more high-tech than a piece of cardboard and a knife.
